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Kunsthaus Zürich

Europe. The Future of History

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Kader Attia, Demo(n)cracy, 2010
Neon, 49 x 480 x 3 cm 
Courtesy of the artist and Galerie Krinzinger, Vienna
© 2015 ProLitteris, Zurich
Kader Attia, Demo(n)cracy, 2010
Neon, 49 x 480 x 3 cm
Courtesy of the artist and Galerie Krinzinger, Vienna
© 2015 ProLitteris, Zurich
Herbert Brandl, Untitled, 2013 
From the ‘Schwarze Sulm’ (‘Black Sulm’) series
Oil on canvas, varnish, 218 x 170 cm
Courtesy of the artist and Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
© Herbert Brandl
Herbert Brandl, Untitled, 2013
From the ‘Schwarze Sulm’ (‘Black Sulm’) series
Oil on canvas, varnish, 218 x 170 cm
Courtesy of the artist and Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
© Herbert Brandl
Anna Jermolaewa, Kremlin Doppelgaenger (Kremlin Double), 2009
HD video, colour, sound, 21 min., looped
Courtesy of the artist and Kerstin Engholm Galerie, Vienna
© 2015 ProLitteris, Zurich
Anna Jermolaewa, Kremlin Doppelgaenger (Kremlin Double), 2009
HD video, colour, sound, 21 min., looped
Courtesy of the artist and Kerstin Engholm Galerie, Vienna
© 2015 ProLitteris, Zurich
Meret Oppenheim, Large Cloudy Sky over Continents, 1964
Oil on raw canvas, vinyl varnish, 110 x 210 cm
Pictet Collection, photo: Thomas Hensinger
© 2015 ProLitteris, Zurich
Meret Oppenheim, Large Cloudy Sky over Continents, 1964
Oil on raw canvas, vinyl varnish, 110 x 210 cm
Pictet Collection, photo: Thomas Hensinger
© 2015 ProLitteris, Zurich
Arnold Böcklin, Freedom, 1891
Tempera and oil on spruce wood, 96 x 96 cm 
Kunsthaus Zürich, on long-term loan from the Nationalgalerie, Berlin
Arnold Böcklin, Freedom, 1891
Tempera and oil on spruce wood, 96 x 96 cm
Kunsthaus Zürich, on long-term loan from the Nationalgalerie, Berlin
Max Ernst, Europe After the Rain I, 1933
Oil paint, tempera on plywood, wood, plaster, fabric, 107 x 149 x 7 cm
Staatliche Kunsthalle Karlsruhe
© 2015 ProLitteris, Zurich
Max Ernst, Europe After the Rain I, 1933
Oil paint, tempera on plywood, wood, plaster, fabric, 107 x 149 x 7 cm
Staatliche Kunsthalle Karlsruhe
© 2015 ProLitteris, Zurich
Ilya Kabakov, This is the Sky, This is a Lake, This is the Sea ..., 1970
Oil and enamel paint on masonite, 125 x 197 cm
Private collection
© Ilya Kabakov
Ilya Kabakov, This is the Sky, This is a Lake, This is the Sea ..., 1970
Oil and enamel paint on masonite, 125 x 197 cm
Private collection
© Ilya Kabakov
Uriel Orlow, Stefan Zweig, 2009
From the series ‘Oddly, one lived the war in one’s mind more intensively than at home in a country at war’
Marker pen on tinted watercolour paper, 50 parts: 38 x 28 cm
Art collection of the City of Zurich
© Uriel Orlow
Uriel Orlow, Stefan Zweig, 2009
From the series ‘Oddly, one lived the war in one’s mind more intensively than at home in a country at war’
Marker pen on tinted watercolour paper, 50 parts: 38 x 28 cm
Art collection of the City of Zurich
© Uriel Orlow
Alighiero Boetti, Mappa, 1983
Wool on cotton, 116 x 178 cm
Migros Museum of Contemporary Art collection, photo: Peter Schälchli, Zurich
© 2015 ProLitteris, Zurich
Alighiero Boetti, Mappa, 1983
Wool on cotton, 116 x 178 cm
Migros Museum of Contemporary Art collection, photo: Peter Schälchli, Zurich
© 2015 ProLitteris, Zurich
Agnès Geoffray, Libération I-II, 2011
From the ‘Incidental Gestures’ series
Inkjet print on museum paper, diptych, 23.6 x 35 cm 
FRAC Auvergne collection
© Agnès Geoffray
Agnès Geoffray, Libération I-II, 2011
From the ‘Incidental Gestures’ series
Inkjet print on museum paper, diptych, 23.6 x 35 cm
FRAC Auvergne collection
© Agnès Geoffray
Martin Kippenberger, Put Your Freedom in the Corner, Save it For a Rainy Day, 1990
Wood, ceramic and printing colour on paper
Staatliche Museen zu Berlin, Nationalgalerie, 2008, gift of the Friedrich Christian Flick Collection 
© Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
Martin Kippenberger, Put Your Freedom in the Corner, Save it For a Rainy Day, 1990
Wood, ceramic and printing colour on paper
Staatliche Museen zu Berlin, Nationalgalerie, 2008, gift of the Friedrich Christian Flick Collection
© Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
David Salle, Angel, 2000
Oil and acrylic on canvas
Two canvases, 183 x 244 cm 
Private collection, Geneva; courtesy of Simon Studer Art, Geneva
© 2015 ProLitteris, Zurich
David Salle, Angel, 2000
Oil and acrylic on canvas
Two canvases, 183 x 244 cm
Private collection, Geneva; courtesy of Simon Studer Art, Geneva
© 2015 ProLitteris, Zurich
Osman Bozkurt, Marks of Democracy / Portraits of the Voters, 2002
C-print, 10 works: each 40 x 60 cm	
Deutsche Bank collection, photo: Martin Url, Frankfurt
© Osman Bozkurt
Osman Bozkurt, Marks of Democracy / Portraits of the Voters, 2002
C-print, 10 works: each 40 x 60 cm
Deutsche Bank collection, photo: Martin Url, Frankfurt
© Osman Bozkurt
Fabrice Gygi, Dérouleur de tapis rouge, 1999
Varnished steel, blue light, carpet, rubber wheels, dimensions variable
Migros Museum of Contemporary Art collection, photo: Stefan Altenburger Photography, Zurich
© Fabrice Gygi
Fabrice Gygi, Dérouleur de tapis rouge, 1999
Varnished steel, blue light, carpet, rubber wheels, dimensions variable
Migros Museum of Contemporary Art collection, photo: Stefan Altenburger Photography, Zurich
© Fabrice Gygi
Herlinde Koelbl, London: Vincent and Victoria Poklewski, 2000
From the series ‘Bedrooms: London, Berlin, Moscow, Rome, New York, Paris’, 1994-2002
Colour photograph 
Courtesy of the artist
© Herlinde Koelbl
Herlinde Koelbl, London: Vincent and Victoria Poklewski, 2000
From the series ‘Bedrooms: London, Berlin, Moscow, Rome, New York, Paris’, 1994-2002
Colour photograph
Courtesy of the artist
© Herlinde Koelbl