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Kunsthaus Zürich

Monet, Gauguin, van Gogh… Japanese Inspirations

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Henri Fantin-Latour
Rhododendron, 1874
Oil on canvas, 54 × 57 cm
Wallraf-Richartz-Museum & Fondation Corboud, Cologne
Henri Fantin-Latour
Rhododendron, 1874
Oil on canvas, 54 × 57 cm
Wallraf-Richartz-Museum & Fondation Corboud, Cologne
Claude Monet
Bed of Chrysanthemums, 1897
Oil on canvas, 130.8 × 88.9 cm
Private Collection
Claude Monet
Bed of Chrysanthemums, 1897
Oil on canvas, 130.8 × 88.9 cm
Private Collection
Japanese dyeing stencils Katagami, 2nd half of 19th c.
Paper, cut 41.1 × 62.8 cm.
Museum Folkwang, Essen
Japanese dyeing stencils Katagami, 2nd half of 19th c.
Paper, cut 41.1 × 62.8 cm.
Museum Folkwang, Essen
Utagawa Hiroshige
Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), 1856
Sheet 65 from the series ‘One Hundred Famous Views of Edo (Meisho Edo hyakkei)’
Coloured woodcut, 34.2 x 22.5 cm
Bibliothèque nationale de France, sheet formerly in the Riviere Collection
Utagawa Hiroshige
Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), 1856
Sheet 65 from the series ‘One Hundred Famous Views of Edo (Meisho Edo hyakkei)’
Coloured woodcut, 34.2 x 22.5 cm
Bibliothèque nationale de France, sheet formerly in the Riviere Collection
Félix Vallotton
The Shower, 1894
Woodcut, 25.3 × 32.2 cm 
Kunsthaus Zürich, Grafische Sammlung
Félix Vallotton
The Shower, 1894
Woodcut, 25.3 × 32.2 cm
Kunsthaus Zürich, Grafische Sammlung
Paul Gauguin
Reclining Tahitian Women / Arearea no varua ino (Sous l’empire du revenant), 1894
Oil on canvas, 60 × 98 cm
Ny Carlsberg Glyptotek, Copenhagen
Paul Gauguin
Reclining Tahitian Women / Arearea no varua ino (Sous l’empire du revenant), 1894
Oil on canvas, 60 × 98 cm
Ny Carlsberg Glyptotek, Copenhagen
James Jacques Joseph Tissot
Young Women Looking at Japanese Articles, 1869
Oil on canvas, 70.5 × 50.2 cm
Cincinnati Art Museum, gift of Henry M. Goodyear, M.D.
James Jacques Joseph Tissot
Young Women Looking at Japanese Articles, 1869
Oil on canvas, 70.5 × 50.2 cm
Cincinnati Art Museum, gift of Henry M. Goodyear, M.D.
Pierre Bonnard
Nannies’ Promenade, Frieze of Carriages, 1894/1897
Four-panel screen, lithographs in five colours, each 143 × 46 cm
Jules Maeght Collection, San Francisco
© 2014 ProLitteris, Zürich
Pierre Bonnard
Nannies’ Promenade, Frieze of Carriages, 1894/1897
Four-panel screen, lithographs in five colours, each 143 × 46 cm
Jules Maeght Collection, San Francisco
© 2014 ProLitteris, Zürich
Katsushika Taito II
Carp (Koi), circa 1830–1844 
Coloured woodcut, 36.4 x 17 cm
Staatliche Museen zu Berlin, Museum für Asiatische Kunst
Photo: Courtesy Art Research Center Ritsumeikan University, Kyoto
Katsushika Taito II
Carp (Koi), circa 1830–1844
Coloured woodcut, 36.4 x 17 cm
Staatliche Museen zu Berlin, Museum für Asiatische Kunst
Photo: Courtesy Art Research Center Ritsumeikan University, Kyoto
Henri Matisse
La Japonaise: Woman beside the Water, 1905
Oil and pencil on canvas, 35.2 × 28.2 cm
The Museum of Modern Art, New York, purchase and partial anonymous gift, 1983
© Succession H. Matisse/2014 ProLitteris, Zürich
Henri Matisse
La Japonaise: Woman beside the Water, 1905
Oil and pencil on canvas, 35.2 × 28.2 cm
The Museum of Modern Art, New York, purchase and partial anonymous gift, 1983
© Succession H. Matisse/2014 ProLitteris, Zürich
Vincent van Gogh
The Courtesan (after Eisen), 1887
Oil on cotton, 110.3 × 60 cm
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Vincent van Gogh
The Courtesan (after Eisen), 1887
Oil on cotton, 110.3 × 60 cm
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Keisai (Ikeda) Eisen
Chrysanthemums (Kiku), 1830s
Coloured woodcut, 36.8 x 24.5 cm
Baur Foundation, Geneva / Photo Gérard, Geneva
Keisai (Ikeda) Eisen
Chrysanthemums (Kiku), 1830s
Coloured woodcut, 36.8 x 24.5 cm
Baur Foundation, Geneva / Photo Gérard, Geneva
Katsushika Hokusai
South Wind, Clear Sky (Gaifū kaisei), 1830-1831
From the series ‘36 Views of Mount Fuji (Fuji sanjūrokkei)’
Coloured woodcut, 37 x 25.5 cm
Bibliothèque nationale de France, Sheet formerly in the Riviere Collection
Katsushika Hokusai
South Wind, Clear Sky (Gaifū kaisei), 1830-1831
From the series ‘36 Views of Mount Fuji (Fuji sanjūrokkei)’
Coloured woodcut, 37 x 25.5 cm
Bibliothèque nationale de France, Sheet formerly in the Riviere Collection
Claude Monet
Water-Lily Pond, 1899
Oil on canvas, 89 × 93 cm
State Pushkin Museum of Fine Arts, Moscow
Claude Monet
Water-Lily Pond, 1899
Oil on canvas, 89 × 93 cm
State Pushkin Museum of Fine Arts, Moscow
Tamamura Kōzaburō
A Wisteria Trellis at Kameido Shrine in Tokyo / “A499. Wysteria vine”, 2nd half of 19th c.
Albumen print, hand-coloured, 18.5 × 24.3 cm
Sammlung P. + R. Herzog, Basel
Tamamura Kōzaburō
A Wisteria Trellis at Kameido Shrine in Tokyo / “A499. Wysteria vine”, 2nd half of 19th c.
Albumen print, hand-coloured, 18.5 × 24.3 cm
Sammlung P. + R. Herzog, Basel
Utagawa Hiroshige
The Sea off Satta in Suruga Province (Suruga Satta kaijō), 1858
From the series ‘36 Views of Mount Fuji (Fuji sanjūrokkei)’
Coloured woodcut, 36.9 x 25.1 cm
Staatliche Museen zu Berlin, Museum für Asiatische Kunst, Foto: Courtesy Art Research Center Ritsumeikan University,  Kyoto
Utagawa Hiroshige
The Sea off Satta in Suruga Province (Suruga Satta kaijō), 1858
From the series ‘36 Views of Mount Fuji (Fuji sanjūrokkei)’
Coloured woodcut, 36.9 x 25.1 cm
Staatliche Museen zu Berlin, Museum für Asiatische Kunst, Foto: Courtesy Art Research Center Ritsumeikan University, Kyoto
Utagawa Yoshitora
Cherry Blossom Time, 1847–1852
Coloured woodcut, middle part of triptych, 36 x 25 cm
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Copy formerly in the Van Gogh Collection
Utagawa Yoshitora
Cherry Blossom Time, 1847–1852
Coloured woodcut, middle part of triptych, 36 x 25 cm
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Copy formerly in the Van Gogh Collection