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From de Chirico to Brancusi

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With some spectacular loans, the special presentation of paintings and sculptures in the collection sketches a brief history of the female figure.

About the exhibition

Admission to the collection

CHF 16.–/11.– (concessions and groups)
Free admission for members as well as children and young people under the age of 17

Did you know?

Admission to the collection is free for everyone on Wednesdays

Note for groups

We look forward to welcoming you to the Kunsthaus. For organizational reasons, prior registration is required. Please notify us of your preferred date and time 14 days in advance.

info@kunsthaus.ch, +41 44 253 84 84

Böcklin’s ‘Spring Awakening’ edifies us with its hypnotically dense evocation of mythical figures from ancient times. Opposite him are five important paintings by the leading Italian artist of modernism, Giorgio de Chirico. Four are from a private collection and are only on show at the Kunsthaus for a short period. Also on display from this private collection are works by Filippo de Pisis, Carlo Carrà, Mario Sironi and Giorgio Morandi.

Just a stone’s throw away we encounter female figures in three dimensions: not flat canvases this time, but sculptures made of marble, wood and bronze, by Vincenzo Vela, Auguste Rodin, Marino Marini, Rebecca Warren and Alberto Giacometti that are striking, captivating and exciting. The exhibition closes with Brancusi. As the muse sleeps, perception awakes.

Curator: Philippe Büttner

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Image above:

Arnold Böcklin, Quellnymphe, about 1866, Kunsthaus Zürich, gift of Otto and Mina Fleischl-Schwarzenbach, 1924

Works in the exhibition

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Constantin Brancusi, Muse endormie II, about 1925, Kunsthaus Zürich, bequest of Heinz Keller, 1984, © 2019 ProLitteris, Zurich
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Installation view, © Kunsthaus Zürich, photo Franca Candrian
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Angelica Kauffmann, Amor und Psyche, 1792, Kunsthaus Zürich, donated by the Jacobs Suchard AG, Zurich, 1987
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Installation view, © Kunsthaus Zürich, photo Franca Candrian
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Arnold Böcklin, Quellnymphe, about 1866, Kunsthaus Zürich, gift of Otto and Mina Fleischl-Schwarzenbach, 1924
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Arnold Böcklin, Frühlingserwachen, 1880, Kunsthaus Zürich, donated by the heirs of Emanuel Berry, 1882